Saneatsu Mushanokoji (1885-1976) was one of the first great Japanese modernist writers. He is acknowledged to have founded the I-novel (shishosetsu), a specifically Japanese confessional genre in which the author speaks directly and colloquially to the reader (e.g., Lippit 28). Mushanokoji was also a painter of still lifes, […]
Open Access Review | Frame by Frame: A Materialist Aesthetics of Animated Cartoons (2019) by Hannah Frank | The truly monumental film director Sergei Eisenstein, pioneer of the “montage of attractions,” creator of the intense Russian masterpieces Battleship Potemkin (1925), Strike (1925) and Ivan the Terrible (1944), loved […]
Commencing soon and continuing week-about with Archibald Clavering Gunter’s Baron Montez of Panama and Paris, we present an introduction to the work of the great Nobel Prize winning poet and novelist, Anatole France (1844-1924). For The Merrie Tales of Jacques Tournebroche (1908), France cast back into historical mists […]
Archibald Clavering Gunter’s life exhibits the marks of a new breed of author—one that in turn exemplifies an emerging species of individual. Homo Economicus, or ‘economic man’: a term coined initially in reaction to John Stuart Mill’s utilitarianist theory and the eminently sensible-sounding principle that “actions are right […]
A brief reflection on the theme of eugenics that Brian Armour identifies in Baron Montez, in his preface to Chapter One. Gunter was himself probably of “mixed race” to a modest degree. Legacies of British Slave-ownership, a web site of University College London, reports that his father, Henry […]
The word “unenthusiastic” well encapsulates Gunter’s critical reception. Observe his appearance in a number of overviews of the history of American letters and theatre. In his Dictionary of American Authors (1899), Adams pronounces Gunter’s “popular sensational romances” as “quite destitute of literary merit” (161). In American Authors, 1600-1900 […]
Prepare to embark on an idiosyncratic taste thrill, another foray into the paradoxically expanding universe of vanishing literature. This bestselling author-playwright, said to have been better known in his day than his contemporary, Mark Twain (1835-1910), is now reduced to fragments, trivial contributions to popular culture: Played middle-man […]
Knowing nothing of Sylvanus Cobb Jr’s work, let alone the writer himself, Emerson did not realize the offense his remarks would have caused Cobb’s brother (see “Cobb Biosnip: No Yellowbacks”). In her memoir, Sylvanus’ daughter Ella Waite Cobb omits to mention which brother it was. Sylvanus Jr., the […]
Some years after Cobb began writing for the New York Ledger, Ralph Waldo Emerson delivered a public lecture in East Boston. The honour of introducing him happened to fall to one of Cobb’s brothers. On the subject of modern literature, Emerson made a contemptuous mention of “yellow-covered literature […]
In 1841 Sylvanus Cobb, Jr. left his job running the printing office for his father’s denominational newspaper, the Christian Freeman, to sign up with the US Navy. Seventeen years of age, he passed himself off as twenty-one, to join the crew of the USS Brandywine on May 31 […]