Anatole France: The Merrie Tales of Jacques Tournebroche

Anatole France’s Merrie Tales: Brother Joconde

France is of course not the only nation to have fought wars, harboured grudges and perpetuated stereotypical slurs against those whom we in Australia call the “Poms”. I needn’t even mention the Scots. Despite connections with the Royal Family, Germans have of course also had a somewhat difficult relationship with their fish and chip eating cousins across the channel, despite a good many of them being Germanic Anglo-Saxons.

There’s a scornful saying in German that about sums the relationship up: “Schief ist English und English ist modern” (Crooked is English and English is modern). These days not as well known as it used to be, it supposedly stems from English soldiers having worn their berets the French way, “crooked”, as opposed to Germans, who had preferred to wear their piked helmets straight.

Clearly, two very different types of people, but have you ever tried to wear a piked helmet crooked? It was often said in Germany when somebody got something wrong or made something very crooked, implying that the English always do that but that it’s not actually so bad. You wouldn’t suspect that such an almost semi-benevolent backhanded compliment as a national slur could ever have heralded such disgusting animosity that it led to bombs and V1 and V2 rockets killing countless innocent civilians or the total destruction of Dresden and many other German cities. After the war, 1970s wannabe-cool left leaning “intellectual” Germans wore their French berets the same way for which their fathers had belittled the English. The old saying became less common as those who liked using it slowly died off.

Back to our friends, the French, however, closer to the days when English longbows or French heavy cavalry decided the outcome of wars.

Joan of Arc at the Coronation of Charles VII (1854), Jean-Auguste Dominique Ingres

While Normans from France had stomped, slashed and bossed their way all over Anglo-Saxon lands after 1066, Anatole France’s story reminds us how the French felt when it was the other way around in the 15th century, prompting the Maid of Orleans to understandably scorn everything made in England and hear messages “from God”. Much more recently, French fishermen blockaded Jersey, in protest against their traditional fishing rights being taken away post-Brexit. Such over the Channel animosity all seems rather fishy and chippy to me these days, I must admit. I still prefer the simple English traditional meal and couldn’t care less if smelly fishermen smoking Gauloise or Phillip Morris happen to pull in nets or traps with scallops or lobsters on any particular part of the Franco-British sea floor, most likely to be expensively devoured in China anyway.

Despite my strange and obvious inability to engage in nationalistic fervour for either side, I guess I was at least able to probably correctly perceive that the story is simply about people resenting invaders from other countries stomping around their lands and, back then, developing quite serious religious fervour as a result of it. People from my home town in Germany a few centuries later deeply resented Napoleon trying to steal the bronze sculpture of a lion from the cathedral square in Braunschweig, which had stood there since somewhere between 1164 and 1176, without bringing religion into it at all and no matter how “progressive” the introduction of Napoleon’s Code Civil might have been in some ways. I shouldn’t even mention Germans getting their own back and nicking whatever they could lay their hands on “for Fuehrer and Fatherland” not so long ago in our even less religious more recent past.

So Brother Joconde and Joan of Arc getting all worked up about the English, raping, plundering, pillaging and occupying large areas of France and her hearing voices about this was probably all totally understandable at the time, psychologically explainable and treatable with antipsychotic drugs though the latter might be these days. A bit less so perhaps the back then inevitable fate of people being publically executed and burnt at the stake for being at the wrong end of the stick after the current bout of who-gets-or-keeps-what temporarily ends again. Terrible times, this time from the point of view of France.

Be that as it may, as Iong as the chips aren’t fried too much, too thickly cut, too greasily dipped or get too soggy, I like them, whether they happen to be called chips, pommes frites or “Pom Fritz”, the phonetically German version. Ah, I might have just had a miraculous if somewhat belated vision warning for the English, French and Germans to unite against diabolical US burger joint chains laying siege to their national cousins with legions of cheap “fries”. The resulting fate of boring, bland and tasteless meals, too much sugar and high cholesterol still awaiting us all, never mind how many allegedly healthy wraps these fiendish killers hide their true ambitions behind, despatching millions more than longbows or cavalry ever could have after slowly turning them into morbidly obese jeans-splitting blobs. Far more devilish than anything imaginable back in Brother Jaconde’s day, but sadly, nobody listens to people having plain old visions these days, unless they are garnished with the most utterly ridiculous conspiracy theories. I hope you enjoy Anatole France’s take on future eaters of Pommes de Terre versus Poms, the description having to be “future” because the potato hadn’t quite been introduced to either country back then.

Brother Joconde


HE Parisians were far from loving the English and found it hard to put up with them. When, after the obsequies of the late King Charles VI, the Duke of Bedford had the sword of the King of France borne before him, the people murmured. But what cannot be cured must be endured. Besides, though the capital hated the English, it loved the Burgundians. What more natural for citizen folk, and especially for money-changers and traders, than to admire Duke Philip, a prince of seemly presence and the richest nobleman in Christendom. As for the “little King of Bourges,” a sorry-looking mortal and very poor, strongly suspected, moreover, of foul murder at the Bridge of Montereau, what had he about him to please folk withal? Scorn was the sentiment felt for him, and horror and loathing for his partisans. For ten years now had these been riding and raiding around the walls, pillaging and holding to ransom. No doubt the English and Burgundians did much the same; when, in the month of August, 1423, Duke Philip came to Paris, his men-at-arms had ravaged all the country about. And they were friends and allies of course; but after all they only came and went. The Armagnacs, on the contrary, were always in the field, stealing whatever they could lay their hands upon, firing farmsteads and churches, killing women and children, deflowering virgins and nuns, hanging men by the thumbs. In 1420 they threw themselves like devils let loose on the village of Champigny and burnt up altogether oats, wheat, lambs, cows, oxen, children, and women. They did the like and worse at Croissy. A very great clerk of the University declared they wrought all wickedness that can be wrought and conceived, and that more Christian folk had been martyred at their hands than ever Maximian or Diocletian did to death.

At the news that these accursed Armagnacs were at the gates of Compiègne and occupying the neighbouring castles and their lands, the folk of Paris were sore afraid. They believed that the Dauphin’s soldiers had sworn, if they entered Paris, to slay whomsoever they found there. They affirmed openly that Messire Charles de Valois had given up to his men’s mercy town and townsmen, great and small, of every rank and condition, men and women, and that he proposed to drive the plough over the site of the city. The inhabitants mostly believed the tale; so they set the St. Andrew’s cross on their coats, in token that they were of the party of the Burgundians. Their hatred was doubled, and their fears with it, when they learned that Brother Richard and the Maid Jeanne were at the head of King Charles’ army. They knew nothing of the Maid save from the rumour of the victories she was reported to have won at Orleans. But they deemed she had vanquished the English by the Devil’s aid, by means of spells and enchantments.

The Masters of the University all said: “A creature in shape of a woman is with the Armagnacs. What it is, God knows!”

For Brother Richard, they knew him well. He had come to Paris before, and they had hearkened reverently to his sermons. He had even persuaded them to renounce those games of chance for which they had been used to forget meat and drink and the services of the Church. Now, at the tidings that Brother Richard was on foray with the Armagnacs and winning over for them by his well-hung tongue good towns like Troyes in Champagne, they called down on him the curse of God and his Saints. They tore out of their hats the leaden medals inscribed with the holy name of Jesus, which the good Brother had given them, and to show in what detestation they held him, resumed dice, bowls, draughts, and all other games they had renounced at his exhortation.

The city was strongly fortified, for in the days when King Jean was a prisoner of the English, the citizens of Paris, seeing the enemy in the heart of the Kingdom, had feared a siege and had hastened to put the walls in a state of defence. They had surrounded the place with moats and counter-moats. The moats, on the left bank of the river, were dug at the foot of the walls forming the old circle of fortification. But on the right bank there were faubourgs, both extensive and well built, outside the walls and almost touching them. The new moats enclosed a part of these, and the Dauphin Charles, King Jean’s son, afterward had a wall built along the line of them. Nevertheless there was some feeling of insecurity, for the Cathedral Chapter took measures to put the relics and treasure out of reach of the enemy.

Meantime, on Sunday, August 21st, a Cordelier, by name Brother Joconde, entered the town. He had made pilgrimage to Jerusalem, and was said, like Brother Vincent Ferrier and Brother Bernardino of Sienna, to have enjoyed by the abounding grace of God many revelations anent the forthcoming end of the world. He gave out that he would preach his first sermon to the Parisians on Tuesday following, St. Bartholomew’s day, in the Cloister of “The Innocents.” On the eve of that day more than six thousand persons spent the night in the Cloister. At the foot of the platform wherefrom he was to preach, the women sat squatted on their heels, and amongst them Guillaumette Dyonis, who was blind from birth.

She was the child of an artisan who had been killed by the Burgundians in the woods of Boulogne-la-Grande. Her mother had been carried off by a Burgundian man-at-arms, and none knew what had become of her. Guillaumette was fifteen or sixteen years of age. She lived at “The Innocents” on what she made by spinning wool, at which trade there was not a better worker to be found in all the town. She went and came in the streets without the help of any and knew everything as well as those who can see. As she lived a good and holy life and fasted often, she was favoured with visions. In especial she had been accorded notable revelations by the Apostle St. John concerning the troubles that then beset the Kingdom of France. Now, as she was reciting her Hours at the foot of the platform, under the great Dance of Death, a woman called Simone la Bardine, who was seated on the ground beside her, asked her if the good Brother was not coming soon.

Guillaumette Dyonis could not see the tailed gown of green and the horned wimple which Simone la Bardine wore; yet she knew by instinct the woman was no honest dame. She felt a natural aversion for light women and the sort the soldiers called their sweethearts or “doxies,” but it had been revealed to her that we should hold such in great pity and deal compassionately with them. Wherefore she answered Simone la Bardine gently:

“The good Father will come soon, please God. And we shall have no reason to regret having waited, for he is eloquent in prayer and his sermons turn the folk to devotion more even than those of Brother Richard, who spake in these Cloisters in the springtime. He knows more than any man living of the times that shall come and shall show us strange portents. I trow we shall gain great profit of his words.”

“God grant it,” sighed Simone la Bardine. “But are you not very sorry to be blind?”

“No. I wait to see God.”

Simone la Bardine made her mantle into a cushion, and said:

“Life is all ups and downs. I live at the top of the Rue Saint-Antoine. ’T is the finest part of the city and the merriest, for the best hostelries are in the Place Baudet and thereabout. Before the Wars there was aye abundance there of hot cakes and fresh herrings and Auxerre wine by the tun. With the English famine entered the town. Now is there neither bread in the bin nor firewood on the hearth. One after other the Armagnacs and the Burgundians have drunk up all the wine, and there is naught left in the cellar but a little thin, sour cider and sloe-juice. Knights armed for the tourney, pilgrims with their cockleshells and staves, traders with their chests full of knives and little service-books, where are they gone? They never come now to seek a lodging and good living in the Rue Saint-Antoine. But the wolves quit covert in the forests and prowl of nights in the faubourgs and devour little children.”

“Put your trust in God,” Guillaumette Dyonis answered her.

“Amen!” returned Simone la Bardine. “But I have not told you the worst. On the Thursday before St, John’s day, at three after midnight, two Englishmen came knocking at my door. Not knowing but they had come to rob me or break up my chests and coffers out of mischief, or do some other devilment, I shouted to them from my window to go their ways, that I did not know them and I was not going to open the door. But they only hammered louder, swearing they were going to break in the door and come in and cut off my nose and ears. To stop their uproar I emptied a crockful of water on their heads; but the crock slipped out of my hands and broke on the back of one fellow’s neck so unchancily that it felled him. His comrade called up the watch. I was haled to the Châtelet and clapped in prison, where I was very hardly handled, and only escaped by paying a heavy sum of money. I found my house pillaged from cellar to attic. From that day my affairs have gone from bad to worse, and I have naught in the wide world but the clothes I stand up in. In very despair I have come hither to hear the good Father, who they say abounds in comforting words.”

“God, who loves you,” said Guillaumette Dyonis, “has moved you in all this.”

Then a great silence fell on the crowd as Brother Joconde appeared. His eyes flashed like lightning. When he opened his lips, his voice pealed out like thunder.

“I have come from Jerusalem,” he began; “and to prove it, see in this wallet are roses of Jericho, a branch of the olive under which Our Saviour sweated drops of blood, and a handful of the earth of Calvary.”

He gave a long narrative of his pilgrimage. And he added:

“In Syria I met Jews travelling in companies; I asked them whither they were bound, and they told me: ‘We are flocking in crowds to Babylon, because in very deed the Messiah is born among men, and will restore us our heritage, and stablish us again in the Land of Promise.’ So said these Jews of Syria. Now the Scriptures teach us that he they call the Messiah is, in truth, Antichrist, of whom it is said he must be born at Babylon, chief city of the kingdom of Persia, be reared at Bethsaida, and dwell in his youth at Chorazin. That is why Our Lord said: ‘Woe unto thee, Chorazin! Woe unto thee, Bethsaida!’

“The year that is at hand,” went on Brother Joconde, “will bring the greatest marvels that have ever been beheld.

“The times are at hand. He is born, the man of sin, the son of perdition, the wicked man, the beast from out the abyss, the abomination of desolation. He comes from the tribe of Dan, of which it is written: ‘Dan shall be a serpent in the way, an adder in the path.’

“Brethren, soon shall ye see returning to this earth the Prophets Elias and Enoch, Moses, Jeremias, and St. John Evangelist. And lo! the day of wrath is dawning, the day which ‘solvet sæclum in favilla, teste David et Sibylla.’ Wherefore now is the time to repent and do penance and renounce the false delights of this world.”

At the good Brother’s word bosoms heaved with remorse and deep-drawn sighs were heard. Not a few, both men and women, were near fainting when the preacher cried:

“I read in your souls that ye keep mandrakes at home, which will bring you to hell fire.”

It was true. Many Parisians paid heavily to the old witch-wives, who profess unholy knowledge, for to buy mandrakes, and were used to keep them treasured in a chest. These magic roots have the likeness of a little man, hideously ugly and misshapen in a weird and diabolic fashion. They would dress them out magnificently, in fine linen and silks, and the mannikins brought them riches, chief source of all the ills of this world.

Next Brother Joconde thundered against women’s extravagant attire.

“Leave off,” he bade them, “your horns and your tails! Are ye not shamed so to bedizen yourselves like she-devils? Light bonfires, I say, in the public streets, and cast therein and burn your damnable head-gear,—pads and rolls, erections of leather and whalebone, wherewith ye stiffen out the front of your hoods.”

He ended by exhorting them with so much zeal and loving-kindness not to lose their souls, but put themselves in the grace of God, that all who heard him wept hot tears. And Simone la Bardine wept more abundantly than any.

When, finally, coming down from his platform, Brother Joconde crossed the cloister and graveyard, the people fell on their knees as he went by. The women gave him their little ones to bless, or besought him to touch medals and rosaries for them. Some plucked threads from his gown, thinking to get healing by putting them, like relics of the Saints, on the places where they were afflicted. Guillaumette Dyonis followed the good Father as easily as if she saw him with her bodily eyes. Simone la Bardine trailed behind her, sobbing. She had pulled off her horned wimple and tied a kerchief round her head.

Thus they marched, the three of them, along the streets, where men and women, who had been at the preaching, were kindling fires before their doors to cast therein head-gear and mandrake roots. But on reaching the river bank, Brother Joconde sat down under an elm, and Guillaumette Dyonis came up to him and said:

“Father, it hath been revealed to me in vision that you are come to this Kingdom to restore the same to good peace and concord. I have had myself many revelations concerning the peace of the Kingdom.”

Next Simone la Bardine took up her parable and said:

“Brother Joconde, I lived once in a fine house in the Rue Saint-Antoine, near by the Place Baudet, which is the fairest quarter of Paris, and the wealthiest. I had a matted chamber, mantles of cloth of gold, and gowns trimmed with miniver, enough to fill three great chests; I had a feather-bed, a dresser loaded with pewter, and a little book wherein you saw in pictures the story of Our Lord. But since the wars and pillagings that devastate the Kingdom, I have lost everything. The gallants never come now to take their pleasure in the Place Baudet. But the wolves come there instead to devour little children. The Burgundians and the English are as bad as the Armagnacs. Would you have me go with you?”

The Monk gazed a while in silence at the two women; and deeming it was Jesus Christ himself had led them to him, he received them for his Penitents, and thereafter the twain followed him wherever he went. Every day he preached to the people, now at “The Innocents,” now at the Porte Saint-Honoré, or at the Halles. But he never went outside the Walls, by reason of the Armagnacs, who were raiding all the countryside round the city.

His words led many souls to a better life; and at the fourth sermon he preached in Paris, he received for Penitents Jeannette Chastenier, wife of a merchant-draper on the Pont-au-Change, and another woman, by name Opportune Jadoin, who nursed the sick at the Hôtel-Dieu and was no longer very young. He admitted likewise into his company a gardener of the Ville-l’Evêque, a lad of about sixteen, Robin by name, who bare on his feet and hands the stigmata of the crucifixion, and was shaken by a sore trembling of all his limbs. He often saw the Holy Virgin in corporeal presence, and heard her speech and savoured the divine odours of her glorified body. She had entrusted him with a message for the Regent of England and for the Duke of Burgundy. Meantime the army of Messire Charles of Valois entered the town of Saint-Denis. And no man durst from that day go out of Paris to harvest the fields or gather aught from the market-gardens which covered the plain to the northward of the city. Instantly famine prices ruled, and the inhabitants began to suffer cruelly. And they were further exasperated because they believed themselves betrayed. It was openly said that certain folk, and in especial certain men of Religion, suborned by Messire Charles of Valois, were watching for the best time to stir up trouble and bring in the enemy in an hour of panic and confusion. Haunted by this fear, which was not perhaps altogether baseless, the citizens who kept guard of the ramparts showed scant mercy to any men of evil looks whom they found loitering near the Gates and whom they might suspect, on the most trivial evidence, of making signals to the Armagnacs.

On Thursday, September 8th, the good people of Paris awoke without any fear of being attacked before the next day. This day, September 8th, was the Feast of the Nativity of the Virgin, and it was an established custom with the two factions that tore the Kingdom in twain to keep holy the feast-days of Our Lord and His Blessed Mother.

Yet at this holy season the Parisians, on coming forth from Mass, learnt that, notwithstanding the sacredness of the day, the Armagnacs had appeared before the Porte Saint-Honoré and had set fire to the outwork which defended its approach. It was further reported that Messire Charles of Valois was posted, for the time being, along with Brother Richard and the Maid Jeanne, in the Hog Market without the Walls. The same afternoon, through all the city, on either side the bridges, shouts of fear arose—“Save yourselves! fly, the enemy are come in, all is lost!” The cries were heard even inside the Churches, where pious folks were singing Vespers. These came flying out in terror and ran to their houses to take refuge behind barred doors.

Now the men who went about raising these cries were emissaries of Messire Charles of Valois. In fact, at that very time, the Company of the Maréchal de Rais was making assault on the Walls near by the Porte Saint-Honoré. The Armagnacs had brought up in carts great bundles of faggots and wattled hurdles to fill up the moats, and above six hundred scaling-ladders for storming the ramparts. The Maid Jeanne, who was nowise as the Burgundians believed, but lived a pious life and guarded her chastity, set foot to ground, and was the first down into a dry moat, which for that cause was easy to cross. But thereupon they found themselves exposed to the arrows and cross-bolts that rained down thick and fast from the Walls. Then they had in front of them a second moat. Wherefore were the Maid and her men-at-arms sore hampered. Jeanne sounded the great moat with her lance and shouted to throw in faggots.

Inside the town could be heard the roar of cannon, and all along the streets the citizens were running, half accoutred, to their posts on the ramparts, knocking over as they went the brats playing about in the gutters. The chains were drawn across the roadways, and barricades were begun. Tribulation and tumult filled all the place.

But neither the Brother Joconde nor his Penitents saw aught of it, forasmuch as they took heed only of eternal things, and deemed the vain agitation of men to be but a foolish game. They marched through the streets singing the “Veni creator spiritus,” and crying out: “Pray, for the times are at hand.”

Thus they made their way in good array down the Rue Saint-Antoine, which was densely crowded with men, women, and children. Coming presently to the Place Baudet, Brother Joconde pushed through the throng and mounted a great stone that stood at the door of the Hôtel de la Truie, which Messire Florimont Lecocq, the master of the house, used to help him mount his mule. This Messire Florimont Lecocq was Sergeant at the Châtelet Prison and a partisan of the English.

So, standing on the great stone, Brother Joconde preached to the people. “Sow ye,” he cried, “sow ye, good folk; sow abundantly of beans, for He which is to come will come quickly.”

By the beans they were to sow, the good Brother signified the charitable works it behoved them accomplish before Our Lord should come, in the clouds of heaven, to judge both the quick and the dead. And it was urgent to sow these works without tarrying, for that the harvest would be soon. Guillaumette Dyonis, Simone la Bardine, Jeanne Chastenier, Opportune Jadoin, and Robin the gardener, stood in a ring about the Preacher, and cried “Amen!”

But the citizens, who thronged behind in a great crowd, pricked up their ears and bent their brows, thinking the Monk was foretelling the entry of Charles of Valois into his good town of Paris, over which he was fain—at any rate, so they believed—to drive the ploughshare.

Meanwhile the good Brother went on with his soul-awakening discourse.

“Oh! ye men of Paris, ye are worse than the Pagans of old Rome.”

Just then the mangonels firing from the Porte Saint-Denis mingled their thunder with Brother Joconde’s voice and shook the bystanders’ hearts within them. Some one in the press cried out, “Death! death to traitors!”

All this time Messire Florimont Lecocq was within-doors doing on his armour. He now came forth at the noise, before he had buckled his leg-pieces. Seeing the Monk standing on his mounting-block, he asked:

“What is this good Father saying?” And a chorus of voices answered:

“Telling us that Messire Charles of Valois is going to enter the city,” while others cried:

“He is against the folk of Paris,” and others again:

“He would fain cozen and betray us, like the Brother Richard, who at this very time is riding with our enemies.”

But Brother Joconde made answer:

“There be neither Armagnacs, nor Burgundians, nor French, nor English, but only the sons of light and the sons of darkness. Ye are lewd fellows and your women wantons.”

“Go to, thou apostate! thou sorcerer! thou traitor!” yelled Messire Florimont Lecocq,—and lugging out his sword, he plunged it in the good Brother’s bosom.

With pale lips and faltering voice, the man of God still managed to say:

“Pray, fast, do penance, and ye shall be forgiven, my brethren…”

Then his voice choked, as the blood poured from his mouth, and he fell on the stones. Two knights, Sir John Stewart and Sir George Morris, threw themselves on the body and pierced it with more than a hundred dagger thrusts, vociferating:

“Long life to King Henry! Long life to my Lord the Duke of Bedford! Down with the Dauphin! Down with the mad Maid of the Armagnacs! Up, up! To the Gates, to the Gates!”

Therewith they ran to the Walls, drawing off with them Messire Florimont and the crowd of citizens.

Meanwhile the holy women and the gardener tarried about the bleeding corse. Simone la Bardine lay prostrate on the ground, kissing the good Brother’s feet and wiping away his blood with her unbound hair.

But Guillaumette Dyonis, standing up with her arms lifted to heaven, cried in a voice as clear as the sound of bells:

“My sisters, Jeanne, Opportune and Simone, and you, my brother, Robin the gardener, let us be going, for the times are at hand. The soul of this good Father holds me by the hand, and it will lead me aright. Wherefore ye must follow along with me. And we will say to those who are making cruel war upon each other: ‘Kiss and make peace. And if ye must needs use your arms, take up the cross and go forth all together to fight the Saracens.’ Come! my sisters and my brother.”

Jeanne Chastenier picked up the shaft of an arrow from the ground, brake it, and made a cross, which she laid on good Brother Joconde’s bosom. Then these holy women, and the gardener with them, followed after Guillaumette Dyonis, who led them by the streets and squares and alleys as if her eyes had seen the light of day. They reached the foot of the rampart, and by the stairway of a tower that was left unguarded, they mounted onto the curtain-wall. There had been no time to furnish it with its hoardings of wood; so they went along in the open. They proceeded toward the Porte Saint-Honoré, by this time enveloped in clouds of dust and smoke. It was there the Maréchal de Rais and his men were making assault. Their bolts flew thick and fast against the ramparts, and they were hurling faggots into the water of the great moat.

On the hog’s-back parting the great moat from the little, stood the Maid, crying: “Yield, yield you to the King of France.” The English had abandoned the top of the wall in terror, leaving their dead and wounded behind them. Guillaumette Dyonis walked first, her head high and her left arm extended before her, while with her right hand she kept signing herself reverently. Simone la Bardine followed close on her heels. Then came Jeanne Chastenier and Opportune Jadoin. Robin the gardener brought up the rear, his body all shaking with his infirmity, and showing the divine stigmata on his hands. They were singing canticles as they walked. And Guillaumette, turning now toward the city and now toward the open country, cried: “Brethren, embrace ye one another. Live in peace and harmony. Take the iron of your spearheads and forge it into ploughshares!”

Scarce had she spoken ere a shower of arrows, some from the parapet-way where a Company of Citizens was defiling, some from the hog’s-back where the Armagnac men-at-arms were massed, flew in her direction, and therewith a storm of insults:

“Wanton! traitress! witch!”

Meanwhile she went on exhorting the two sides to stablish the Kingdom of Jesus Christ upon earth and to live in innocency and brotherly love, till a cross-bow bolt struck her in the throat and she staggered and fell backward.

It was which could laugh the louder at this, Armagnacs or Burgundians. Drawing her gown over her feet, she lay still and made no other stir, but gave up her soul, sighing the name of Jesus. Her eyes, which remained open, glowed like two opals.

Short while after the death of Guillaumette Dyonis the men of Paris returned in great force to man their Wall, and defended their city right valorously. Jeanne the Maid was wounded by a cross-bow bolt in the leg, and Messire Charles of Valois’ men-at-arms fell back upon the Chapelle Saint-Denis. What became of Jeanne Chastenier and Opportune Jadoin no one knows. They were never heard of more. Simone la Bardine and Robin the gardener were taken the same day by the citizens on guard at the Walls and handed over to the Bishop’s officer, who duly brought them before the Courts. The Church adjudged Simone heretic, and condemned her for salutary penance to the bread of suffering and the water of affliction. Robin was convicted of sorcery, and, persevering in his error, was burned alive in the Place du Parvis.


Armagnacs and Burgundians: “Cadet branches” of the French royal family (Houses of Orléans and Burgundy) who were at war from 1407 to 1435. This was during the period of the Hundred Years’ War against England (1337–1453), and conflict concerning the Papal Schism (1378 – 1417), with rival popes residing in Rome and Avignon. Joan of Arc fought on the side of the Armagnacs. They were allied with the Dauphin, whom she helped become King Charles VII. See and Ryan Andrew Schaff, “Joan of Arc and the Franco-Burgundian Reconciliation” (MA thesis, Boise State U, 2014) [PDF].

“under the great dance of death”: Reference is to the earliest known depiction of the Danse Macabre or Dance of the Dead, at the cemetery of the Holy Innocents in Paris, painted in 1424-5. The mural depicted a stately dance being performed by people spread across all the hierarchy of social rank, each living dancer being escorted to their grave by a corpse or skeleton. An authorial figure framed the proceedings and written verses glossed them. Arguably, calamitous events such as the one Anatole France narrates in this tale, served to inculcate a public taste for the macabre, such as manifested itself in many subsequent depictions of the Danse Macabre appearing in various parts of Europe. The author effectively compresses a bloody history into the timeless aesthetic action of the Danse Macabre.

Maja Dujakovic sets up a fascinating unintended resonance with Anatole France’s accomplishment in ‘Brother Joconde’, with her contention that

… very particular historical conditions […] produced the “Danse Macabre” in Paris. Specifically, the first two decades of the fifteenth century were characterized by a renewed war with England and a series of assassinations and counter-assassinations of pretenders for the French Crown. I argue that the mural, whose verse originated in the theological circles of the University of Paris, had a twofold didactic purpose: on the one hand the mural emphasized the transitory nature of earthly life and promoted the religious message of piety and repentance by evoking a horrid image of the decomposing cadaver, and on the other it functioned as a social critique. Employing the language of allegory, the University, itself profoundly invested in the political situation of the time, used the “Danse Macabre”, with its theme of death as the ultimate equalizer to contest the political machinations over kingship and establish its own position as society’s dominant rationalizing authority.

Dancing with the Dance of the Dead: cemetery of the Innocents and the ramifications of the Macabre, MA thesis, Univ. British Columbia, 2004.

“the Duke of Bedford had the sword of the King of France borne before him”: See Bak, János M., editor Coronations: Medieval and early monarchic ritual. Berkeley:  University of California Press,  c1990 1990. Title | References.

Note on France’s text and the illustrations: Translation is by Alfred Allinson (London: John Lane, Bodley Head, 1909). Woodcuts by British artist Marcia Lane Foster (1897–1983) confirmed as Public Domain Mark 1.0 (free of known restrictions under copyright law). Acknowledging David Widger for his digital edition.

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