While researching old newspaper archives for a novel set in the Victorian period, I uncovered an intriguing British serialized penny dreadful, The Mystery of the Marsh; or The Red Barn at Deerhurst, which I plan to resurrect in its entirety here on Furin Chime, chapter by chapter. The […]
Reflecting on a post-Tipp-Ex era I ponder questions surrounding the concept of Cyberspace. Remembrance of Tipp-Ex past Be it fortunate or unfortunate, the years locate me at a pivotal time in the evolution of cyberspace. I don’t claim to be among its first denizens. Arpanet, the forerunner of […]
Anachronism is an obvious comic device in The King (1990), Donald Barthelme’s last, posthumously published novel, and as such invariably commands comment. Barthelme places or “transposes” the Arthurian court into the period of Second World War Britain, something in the manner of what’s known today as the allohistorical […]
Here are some more circa 2000 commercial images from Japan. There’s not much difference between Eastern and Western cultures in the way they fabricate mythological/ideological messages via semiotic techniques. But there are cultural idiosyncrasies as well, which feed easily into a global mythological context. 50 cc “naked” Zoomer […]
In the era of the Internet and social media, an awareness of semiotics, also known as the “study of signs,” is useful to have. This article considers some elementary but illuminating ideas in the field. What are signs and how do they convey meaning? What is the message […]
Picaresque novel cum Bildungsroman, Thomas Mann’s Confessions of Felix Krull, Confidence Man (1954; trans. Denver Lindley) resonates with the late modernist psyche. Mann’s novel prefigures a psychiatric epidemic of our day, psychopathic narcissism. In this widespread postmodern condition, the fragile identity implodes in its own process of self-aggrandizement, […]
The processes of myth-creation rely on a crossover between reality and imagination. A collective psychological space exists in which history and myth merge and become indistinguishable from one another. In the heyday of the television western, for instance, how many young children were aware there was any difference […]
Wonder Woman (dir. Patty Jenkins) was screened on TV the day after I happened to be reading the first part of Simone de Beauvoir’s The Second Sex, her finely honed analysis of the cultural perception of womanhood. I knew there existed ample literature on the cultural and feminist […]
Stooped as loving memory some old gravestones stoop. In that old graveyard. Names gone and when to when. Once hooked, always will be, on these writings of Samuel Beckett. On. Sometimes referred to as “novels,” Beckett’s three later works, Company (1980), Ill Seen Ill Said (1981) and Worstward […]
“You see, Japan does not actually rest atop an infinite pile of turtles, but on the back of a giant carp . . .”
In his mid-thirties, Australian freelance writer and PhD graduate Michael Guest headed for Japan on a whim, worked as Professor in a national university, and stayed fifteen years. Memoir and cultural reflection, his captivating story is one of growth, adaptation and an ever-deepening appreciation of an enchanting, at times perplexing, society. The author is a specialist in modern literature and humanities, with many academic and media articles to his credit, alongside international academic conference lectures.
“Rarely is a reader granted such enlightened insights into the people and culture of Japan. Guest takes us into the Japanese psyche, exploring social mores, the underlying meanings of simple actions, and the historical and religious fabric that knits the people together. . . .”—Brian Armour, author of Future Crime
“He draws his tight literary portraits from his experiences living and tertiary teaching in Japan. I was enchanted to learn the micro-details of a culture of micro-details.”—Gloria Lee McMillan, editor of Orbiting Ray Bradbury’s Mars.
“The book permeates your psyche . . . . his calm, poetic, detailed writing style, always with a touch of light irony, full immersion. The book is, indeed, very Zen. It is an absolute must for anyone going to Japan. It will make for an excellent primer.”—Virginia Arthur, author of Treed and Phat(’s) Chance for Buddha in Houston
