Tag: stawell-bardo

  • 7. Document 17 (from the draft novel Stawell Bardo)

    7. Document 17 (from the draft novel Stawell Bardo)

    Document 17: Manifestation Series

    The unicorn is injured, why did it come? My way is finished.

    ⁓ Attributed to the Zuozhuan, on the death of Confucius, 479 BCE (adapted)

    This account, drawn from the lower ledgers in the Registry of Misperceived Wonders (Third Vault), concerns the imperfect ascent of a crown, a sign mistaken for itself, the brief elevation of a foreign scholar, and a haunting sigh. The report commences with an account of the journey of the foreign envoy from the White River, just south of Tongzhou, to the Forbidden City. The route is as well-trodden as the tropes that embellish it, so for present intents, the passage has been elided.

    Lord Macartney received with restrained annoyance the news of the extension of his itinerary a further 160 miles, extending the journey into Tartary. He was already preoccupied with the Chinese administration’s requirement that he perform full-body kowtows to the Emperor, since he was not required to humble himself in this way even before his own monarch, good King George III. He nevertheless resigned himself to attempting an approximation. Bright Yang set him at ease with a broad smile and copious applause, assuring him that his impromptu flourishes, bows and scrapes such as he demonstrated, which were worthy of the most extravagant dandy, would more than satisfy the Qianlong Emperor, who was, in any case, a most amiable fellow once you got to know him.

    Lord Macartney, an Ulster Scot consummately qualified for ambassadorial duty, departed from the capital with the majority of his entourage, leaving behind much of the valuable equipment that he had dragged to the ends of the earth as presents for the Emperor, in the care of his tiring – in both senses – travel companion, another Scot: astronomer, physicist, inventor and philosopher, one dour James Dinwiddie.

    Two European men in 18th-century dress. Lord Macartney One stands tall and reserved, hands on hips. Dinwiddie leans forward, gesturing animatedly.

    One of the marvels intended to evoke the amazement of the Chinese Emperor was a clockwork planetarium of Dinwiddie’s own devising, which had taken him thirty years to build and was acclaimed “the most wonderful mechanism ever emanating from human hands.” Dinwiddie’s second love among the collection of marvels was a hot air balloon, an “aerostatic globe” of his own design, with room for two aeronauts. Although he had never gone aloft in one before, which had proven to be a perilous feat throughout Europe, he had become obsessed with the idea of becoming the first to do so in China, and to float high above the Emperor, his court, and the citizenry of Peking, who would all be rendered agog in disbelief. Such would be his historical legacy, he foresaw: even above his planetarium and extensive philosophical tracts, it would be foremost amongst his life’s works.

    Other items in the display included reflecting telescopes, burning lenses, electrical machines, air pumps, and clocks; brass artillery, howitzer mortars, muskets, and swords; a diving bell, musical instruments, magnificent chandeliers, and vases; Wedgwood china, paintings of everyday English life, scenes of English military victories by sea and land, and royal family portraits. The cost amounted to fourteen thousand pounds – in those days a formidable sum.

    On the journey to Peking with the envoy, Sun Pu-erh took stock of the information she gathered and started a series of detailed sketches of the devices most relevant to her Emperor’s wishes, in particular the military and scientific machines and artefacts. She employed spies and draftsmen to aid in the task. Bright Yang, on the other hand, was absorbed in tales that had flourished among the populace as the envoy made its way up along the White River – tales in which, perhaps, the twelve-year-old son of Lord Macartney’s secretary had a hand, aided by his smattering of Chinese. From the point of view of the child, similar to that of the rural populace in this regard, the official inventory of planetarium, lenses, lustres and so on, was not overwhelming, hence stories grew up that hidden inside the cargo were the actual marvels to be revealed to the Emperor: an elephant no bigger than a cat; a battalion of miniature, living British grenadiers, each only twelve inches tall but perfect in the most minute detail, down to fingernails, eyelashes, and intelligence; and a magical pillow that transported one to faraway countries while one slept.

    A sentry reported to Pu-erh that Bright Yang was last observed with one of the lower-ranking concubines, following a narrow path into a bamboo grove, half-clothed and crying out in abandon, in full pursuit of the elephant and grenadiers. She raised an eyebrow expressing initial surprise at the news, then appeared to be none too bothered. Mow Fung, however, observant of such minutiae as only an infant is capable, noticed that, still relatively expressionless, she was now infected with an occasional little sigh, which she would immediately stifle before anyone else but him could notice. He was quite entertaining, she thought.

    A Chinese man in casual robes pursues a nude woman into a bamboo grove, vanishing into shadow and greenery.

    The exaggerated local publicity surrounding the English marvels spread widely among the populace along the way, causing no end of anxiety for both Macartney and Dinwiddie, in fear that their exhibition might fail to meet the Emperor’s expectations. Macartney could do nothing but fret as the journey continued north. Dinwiddie, at least, could busy himself in preparation for the exhibition and his historic balloon flight.

    During his weeks of preparation and waiting in the Forbidden City, he developed an infatuation with the refined, demure, though persistently aloof Sun Pu-erh. She seemed to observe everything through her inscrutable dark eyes, while her long, strategic locks, neither concealing nor clearly inviting access to his imagined fortress of her womanhood, were enough to elicit certain untoward thoughts in his own inflamed mind. He found himself drawn helplessly to the mysterious, dark, exotic femininity he’d read about in travellers’ tales and believed expressed itself in her every word and gesture.

    He took her aside into the corner of a storage room to confess his feelings.

    “D’ye mind I stroke your bonnie raven hair, lassie?”

    She glanced over his large hairy nose, irregular ears, bushy eyebrows, and red whiskers – none of which appealed to her in the slightest – and gave a wry smile. To his mind, it was an encouraging one, so he gave her a wink and proceeded with his whimsy.

    “Looks like silk, but feels a wee bit like the mane o’ a horse,” he confided.

    In an effort to further his suit, such as it was, he professed a warm affection for her young son Chung, our very own Mow Fung of that era, a child blessed with a nature to be seen and not heard, one who would sit and watch him assemble his complex and precious marvels, without ever touching a thing.

    “E’s a fine wee bairn,” he said. “I daresay I got three o’ ma own, and not one o’ em surpasses him in manners, nort be a long short.

    A young Chinese boy gazes intently at a model planetarium; blurred adults adjust the mechanism in the background.

    “Now, the absence of the Emperor, along with almost the entire British delegation, gives us a rare chance to put my aerostatic globe through its paces and to mount a rehearsal that will allow everyone concerned to practise their roles. I’ll hold off, for the moment, from testing the discharge of fireworks from the craft, but will reserve that for the great day itself. We’ll hae nae beasts flung frae the heavens, nor French contraptions named “parachute.” Yon Blanchard – the great pretender tae philosophy, carnival-showman – may cast his ducks at Providence as he pleases! Rather, we shall save such spectacles for the day itself, to maximise the impression upon the Celestial Court that the potentialities – at once military and philosophical – of floating skyward in a silk-lined basket constitute nothing less than the definitive mark of a truly enlightened society.”

    Pu-erh was invested with the imperial power to authorise such a project, and so it was done. The day approached for Dinwiddie to test-fly his globe.

    “I will require a few of my assistants to set up the apparatus,” he said. “Is there a secure location? Best to maintain the highest level of discretion in order to preserve the element of surprise for His Nibs – ahem, His Celestial Majesty the something-or-other Emperor – ahem – when I reveal the aerostatic globe before him in all its magnificent sublimity.”

    “Sire,” said Pu-erh. “I know a perfect place for your preliminary ascent. It is located in the north-west corner of the Imperial Garden of the Forbidden City, close to a Taoist shrine that is under my own humble administration. High walls, a few trees and structures, some open space.”

    “Sounds ideal, my cherub. There we shall discover what shall transpire, according to the scientific method. P’raps a hydrogen one would’ha been better, but a difficulty – not insurmountable, mind ye – to manufacture the hydrogen right here. For all purposes, this beauty should amply suffice.”

    The day before the planned launch, Dinwiddie’s team transported the apparatus from a storage room to the secluded north-west corner of the Imperial Garden. Our young Mow Fung stood apart from the proceedings, contemplating them beside Pu-erh, who observed silently, committing each step to memory in minute detail.

    The envelope was suspended between two masts and tethered by six ropes, each gripped by a man. Dinwiddie ignited a pyre that had been placed beneath it, contained within a structure designed to focus the rising hot air into the mouth of the envelope, which expanded, revealing bright patches of red, blue, white, black, and gold. When fully inflated, the glory of the sphere, suspended in the air by its own force, was manifest: the English coat of arms, with a shield of the Empire and crown of the Monarch supported by a fierce lion and a noble, tethered unicorn. Beneath the arms, the motto Dieu et mon droit shone out in gold, proclaiming the divine majesty of King George III.

    The envelope was detached from the masts and jockeyed into position beside the northernmost gate – the Gate of Divine Might – where the wicker basket stood in readiness. The two were lashed together with ropes, the silk slackening and filling by turns in the uncertain air.

    The basket carried a burner to maintain the heat in the canopy above, with a supply of charred wool for fuel.

    Dinwiddie cleared his throat and hushed his assistants for a spot of oratory. Adjusting his wig with the gravity of a sermon, he murmured, half to the heavens, “If Providence has pit China in the traupic, it’s no but that Britain micht instruct her frae the firmament.”

    The balloon wheezed politely in assent.

    At a shrill blast of Dinwiddie’s whistle, Pu-erh stepped forward as planned and was helped into the wicker-basket.

    “Come along, laddie, dinna dawdle,” said Dinwiddie, lifting the boy in beside his mother, before climbing in himself. “Just a gentle ascent – straight up a wee ways, stay for a few minutes, and straight back doon. Cast off, lads!” he cried.

    The craft began to descend immediately the ropes were loosed, so Dinwiddie struck a spark and stoked the wool-burner. In response, the globe bobbed to a halt.

    “Too muckle ballast!” he cried. “Out wi’ ye, laddie!”

    He took Mow Fung bodily and cast him over the edge into a pair of arms that happened to be there. The craft crawled upwards, reaching a height of about six feet – and there it stayed, hovering, obstinately refusing to rise any further.

    “Ye be-luddy deevil o’ a thang!” he roared. “Off wi’ more ballast! Quick, gi’ out, gi’ out, gi’ off!”

    Fixing him with a cool, level look, Pu-erh climbed out of the basket and took hold of a stay rope, guiding herself roughly to the ground. The craft began to ascend, slowly, and all on the ground dropped their ropes.

    “Na! Dinna do that! Dinna do that!” Dinwiddie called down, but it was too late.

    The balloon rose quickly to a point above the thirty-foot wall and was caught in a stiffening breeze. It took on momentum and, without any stays, sailed over the top of the wall, just beside the Gate of Divine Might.

    As the wind took hold, Dinwiddie realised there was nothing to do but go over the edge himself. He slid down to near the end of a rope, but found himself still too far from the ground to let go.

    Fortunately, as the craft drifted across the broad moat of the Forbidden City, the wind died down just enough for the balloon to descend, dragging his body through the water and giving him a chance to escape into the mud of the opposite bank.

    The balloon gained height again and took off on an unmanned flight for several miles above Peking. The envelope caught fire from the furnace, and many perceived it as a dragon descending from heaven, to wreak havoc on the Manchu Qings.

    Among the populace, alarm spread at the sight of the unicorn, glistening in the evening light – so closely resembling a legendary beast of their own, whose arrival had been anticipated for centuries. Archers fired upon the apparition as it bobbed and limped across the sky, striking sacred spots upon its body.

    Snatches of an ancient song arose amid the cries of terrified onlookers, first muttered, then taken up by others:

    The unicorn’s hooves!
    The duke’s sons assemble,
    Woe for the unicorn!

    The unicorn’s forehead!
    The duke’s cousins gather,
    Woe for the unicorn!

    The unicorn’s horn!
    The duke’s kinsfolk arrive,
    Woe for the unicorn!

    A fire-engulfed hot air balloon, embossed with the British coat of arms featuring a lion and unicorn, plunges from the sky under a gale of arrows, fired upon by amassed warriors.

    When the craft crashed flaming into a field on the outskirts of Peking, it was set upon by peasants wielding spades, shovels, picks, and knives. No one was harmed in the incident, except that during the incineration of the balloon’s remains, all the hair on the head of one of its attackers was entirely burned off.

    Dinwiddie was conveyed back to his quarters, where Pu-erh and her son were waiting. He waved them aside and, devastated and speechless, took to his couch for days, avoiding them both for the remainder of his stay in Peking.

    Mow Fung noticed that from this time on, his mother tacked a tiny new gesture to the end of her occasional, apparently unprovoked sigh: a barely perceptible shake of the head. She would now say just one word to herself:

    “Men.”

    Addendum. Filed: Gate of Divine Might, 1793:
    The foregoing episode is absent from the official papers of the Embassy, and from all Celestial memorials of the same year. No explanation is recorded, nor could one be; the event appears to have been extinguished at the instant of its occurrence. A trace persists only in a marginal entry among provincial gazetteers, describing the sudden descent of a flaming lion beyond the northern wall of Peking: a visitation later interpreted as the passing shadow of an immortal qilin (the “unicorn” of the translated song).

    The entry adds that similar portents were recorded in antiquity, when a qilin was said to have announced the birth of Confucius, the Sage of Lu, and another to have appeared before Emperor Wen of Han. In Han and later commentaries, the song “The Hooves of the Unicorn,” long preserved in classical commentaries, was linked to the death of Confucius himself, for it was said that the capture and wounding of a qilin in Lu marked the end of his era. By analogy, the chronicler proposed that this fiery apparition might signify the renewal of imperial virtue, or else its exhaustion. Whether this was mass illusion, actual omen, or mere transcription error cannot now be determined.


    © Michael Guest 2025

  • 6. Jade Volume (from the draft novel Stawell Bardo)

    6. Jade Volume (from the draft novel Stawell Bardo)

    Jade Volume

    There is a mountain in the northern reaches of central China, known by devotees as Time’s Heavenly Sanctuary an Infinity above the Jagged Rocks. To the uninitiated, the summit lies at a distance no greater than a rice husk from the utterly impossible. And yet the region dazzles with natural vistas and unimaginable beauty. Many have tried to get to the higher elevations, but most failed. This is the realm not of mankind, but of the eagle, the heavenly tiger, and also the mischievous monkey who toys with the mind.

    Below, a wide, pure, meandering river traverses a pristine landscape that extends into unknown territory, amid countless acres of giant bamboo, their upper branches seeming to beckon the breeze. The skies above are the sapphire blue of heaven. Hearts lift at the sight, and there are climbers so intoxicated by the vision that they hurl themselves in ecstasy to their doom – clearing the sheer cliffs and smashing against the rough boulders below. It is no wonder that, to a remaining few, Time’s Heavenly Sanctuary an Infinity above the Jagged Rocks is believed the holiest of holy places and, indeed, not to be slighted without profound risk.

    Abstract watercolor landscape featuring red mist and glowing light in the foreground, with blue-grey watercolor waves suggesting water and fog. Evokes a mythic Chinese mountain scene from the Jade Volume chapter.

    The path winds upward through groves of giant bamboo, past shadowed outcrops and long-forgotten steps. Midway up the mountain’s flank, obscured by foliage and time, stand the ruins of a small, ancient temple – crumbling, barely visible through a thick curtain of green. Though seemingly deserted, the sacred fonts are kept full, and the stone steps swept clean.

    Inside, a modest offering of a simple rice-ball and bamboo shoot invariably awaits the intrepid visitor. To come so far demonstrates a purity of heart that is well rewarded. To accept the offering in proper humility opens the senses to the contrast between the essences of darkness and light – a rare clarity amid the world’s illusions. But should the offering be taken improperly, or worse, scorned in any infinitesimal degree … then the shattered remains of the fallen, far below the cliffs, bear silent witness to the error.

    Slightly below the temple’s ledge, until a century or two ago, burial tunnels were dug into the side of the sheer cliffs, extraordinarily deep, hand-carved tunnels in which it was the tradition to inter beings deemed noble of mind and spirit. It is said that, for the adept, the tunnels lead into a subterranean network that joins together all the holiest mountains in China, though not in the form of a physical labyrinth. Rather, access can be had only by an astral body, guided by the lines of an ancient map inscribed by the Tao on the shell of a certain large tortoise. Gravediggers would once upon a time swing down on ropes and steer one’s coffin into place in the cliff. Unsurprisingly, some of these erstwhile aerial ferrymen perished alongside their cargo, a worthy sacrifice for which they accrued what some call good Karma.

    And still the mountain ascends.

    Above this middle sanctuary of shrine and tomb, the mountain veils its final secrets. The temple, perched on a precarious ledge far above the valley, is not the summit. Beyond it, higher still and hidden from even the boldest climbers, lie the archives. Cascades of shining white water shield the opening to the cave, mighty enough to wash intruders away like ants. To human eyes, from all but an angular perspective of higher insight, the entrance appears no greater than a long, narrow crack in impenetrable stone.

    Seldom indeed will visitors appear at these elevations – whether temple, tomb, or the archive beyond – in a living, physical form – but when they do, they find awaiting them the welcoming rice-ball and fresh bamboo shoot. Quite the mystery. Either there are ways to attain such heights known only to the peasants who reside in hovels dotting the mountain here and there, shrouded in mist, or else a supernatural force is at work. We adhere to the former explanation because, no matter how sheer the cliffs or tangled the paths on the way to enlightenment, there are always those who will dare to ascend and untangle them, even among us simple monks and peasants.

    Yet there are also tales of hazardous spiritual journeys undertaken in order to consult the archive, in which an adventurer-adept awakens from trance to find the rice-ball and bamboo shoot in his mouth – rotten and crawling with maggots. And this although no flies exist above the treeline! The scenario is horrific, and it invariably concludes on the boulders at the foot of the cliffs.

    The archive is a forest of books dating back to the earliest ‘butterfly’ volumes, constructed from vertical strips of bamboo, each inscribed with a line of text, and linked together into concertina-folded pages. The works kept in the archive are expertly arranged, meticulously ordered and colour-coded, their calligraphy flawless, their ink illustrations brilliant in economy. Naturally, they are dusty and draped in thick wreaths of spider web, for they are seldom taken up in the hand of a reader.

    In the present day, the name of Chung Mow Fung yields only a single footnote, in a ‘recent’ volume from two or three centuries ago, referencing parentage under a different name. This name, however, is barred from formal publication, for it was altered by edict of the Tao, as made clear and manifest in the Forty-Ninth Hexagram: Revolution (革 – ). As Fire meets Metal (the lake), producing illumination, so too are personal desires refined into unselfishness. What is obsolete is shed like a snake’s skin; acquired pollution is burned away, revealing the essence of primal, unified awareness. The spirit aligns with its path. The great person changes like a tiger.

    Abstract watercolor of a fiery metallic I Ching hexagram, glowing against a watery background. Symbolizes transformation or revolution..

    It was not uncommon for those of the Mow Fung line to alter their names – a necessary measure during those periods when the study of the Tao fell into disfavour with ascendant militant ideologies. When he settled on the southern continent, Chung had been his family name; however, local officials, in their ignorance, reversed the order. That moment marks the point at which we locate our pivotal index for extracting the lineage, and so the name becomes, in the final analysis, arbitrary. Yet the Mandarin denotation, Admirer of the Phoenix, perhaps remains apt. After all, how may we pin down a karmic ripple or trace an Akashic echo by means of a single name? Naturally, such terms are merely Buddhist and Hindu approximations, and useful metaphors at best, for, as Lao Tzu correctly observes, the true Way is named only tentatively: Tao.

    So much for names. The Tao does not trouble itself with the consistency of library catalogues.

    Although the familial lines extend back centuries into various narratives concerning the most enlightened individuals, this and further changes in name make certain crucial connections obscure, such that the specific ancestry becomes a matter of interpretation and even, in the worst cases, divination. It is like pursuing the strands of a fog. Any identifiable and named individual will not necessarily correlate with the line of the Mow Fung who occupies our current interest.

    Some traditions suggest that Mow Fung is not so much a reincarnation as a resonance – a particular pattern in the Tao reasserting itself under a familiar-seeming name: a node through which the Tao’s intent briefly shimmers. That such a resonance might walk, speak, or even misbehave is not so much a mystery as a habit of the Way.

    Perhaps he never attained enlightenment, nor will his descendants, his temperament being of a too weak, too dark, too yin-flavoured humour and given to excesses of the flesh: notably, unmindful congress and the ingestion of hallucinogens. Unfortunately, even such faults are not as uncommon as the reader might like to think, even among the membership of our venerable community of ancestors, among whom number not only sages and adepts, but also a handful of artists and poets whose conviction in their own genius outpaced any objective manifestation.

    It is gathered from the relevant volume that this ‘earlier’ Mow Fung was the son of an accomplished civil servant who, after becoming a father, subsequently became a eunuch in the imperial court of the Qianlong Emperor, where he enjoyed a cheerfully untroubled life. Nicknamed, with some irony, Ma Tan-yang, or “Bright Yang” he achieved a degree of enlightenment, thanks to the tutelage of his wife. She, Sun Pu-erh (“One Hearted”), was a child prodigy and a brilliant scholar and seer, trained in a clandestine temple of the Taoist School of Complete Reality (now officially suppressed, but only on paper) and endowed with unsurpassed expertise in the study of Confucius.

    Traditional Chinese watercolor painting of two court officials in ceremonial robes, standing before a decorative phoenix tapestry. Represents Pu-erh and Bright Yang from the Jade Volume, styled as Taoist immortals.

    Moreover, she was a brilliant exponent of foreign languages, which she studied under the tutelage of a Jesuit missionary and painter named Giuseppe Castiglione. She was an adept of high degree, directly descended from the female Wu, the most powerful sorcerers of all time, and engaged as a high adviser in the imperial court. Her husband was charged with supervision of the Emperor’s concubines, who instructed him in the most up-to-date nuances in fashion and cosmetics, in exchange for tutoring them in all sorts of corporeal practices in which he was expert (see Indigo Volume XXXXIV of Late Tang Dynasty Collection, and Emerald Volume XXVII of Song Dynasty Collection).

    One day the Emperor summoned Sun Pu-erh and her foolish young husband Bright Yang to the Hall of Supreme Harmony, in the Forbidden City. Sitting on his Dragon Throne, which marked the centre of the universe, he assigned them a mission. Backed by a magnificent screen of gold, he appeared a multi-coloured, superhuman gem. His voice echoed around and among the six huge gilded columns immediately before him, each encoiled by his own five-clawed dragon. Touch one if you wish to die. The ruler of a round-eyed, red-haired, ghostly-skinned barbarian rabble from a far-flung isle had requested that he receive a delegation. The chieftain, who called himself King George III of England, a territory he described in terms so overblown as to border on hilarious arrogance, wished to discover the wonders of the Great Qing, for the betterment of his own ‘civilization’, which the Emperor understood to be the lowliest among all those in Europe.

    “His baser wish is that we grant certain concessions to his barbarian merchants. Hitherto, all European nations, including those of his own realm, have carried on their trade with our Celestial Empire, as permitted solely at the port of Canton, a restriction he now seeks to overturn.

    “What is the meaning of this word ‘king,’ anyway?” the Emperor said, looking at Pu-erh, who had memorized all 11,099 volumes of the encyclopedia housed in the Hall of Literary Glory.

    She bowed her head and replied.

    “Perhaps related to another word they use, ‘kin,’ implying he is the father of their extended family,” she said. “They say also that ‘the lion is king of beasts,’ referring to their imperial symbolism. Evidently there are no lions there, are there? Perhaps they seek to differentiate themselves from Caesar, derived elsewhere as Czar or Kaiser. I imagine it all originates in Roman times ”

    “Cease!” the Emperor said curtly, and continued:

    “His letter is illiterate. You see, here he addresses us as ‘the Supreme Emperor of China … worthy to live tens of thousands and tens of thousands thousand years.” He coughed lightly, tittered, and cast a glance at the ceiling – augustly decorated with framed images in jade, ruby, and gold leaf: dragons, qilin, phoenixes, and other fabulous beings from the four corners of the earth and beyond – while an imitative titter rippled among the courtiers.

    Close-up watercolor portrait of the Qianlong Emperor in Qing Dynasty regalia, with a stern expression. Painted in stylized ink-brush style evoking Chinese portraiture traditions.

    “However, despite his clumsy expression, we take note his respectful spirit of submission,” he said, raising his hand to cut short the disturbance. “We determine that he is sincere in his intentions.

    “It behooves us here at the centre and apogee of the world to cast our light before such peoples, backward peoples, but those who have nevertheless drawn themselves up to attain a state in which they manage to discern the magnanimity with which we bend towards them and allow them to participate in our beneficence, and therefore shall we acquiesce to these requests. Never mind how meagre their offering, we shall treat them with generosity and luminosity. After all, it is our Throne’s principle to treat strangers from afar with indulgence and exercise a pacifying control over barbarian tribes, the world over. Make a special note,” he ordered his scribes, who were taking down his words.

    “His delegation of a hundred men will arrive in China at any moment now, concluding a year’s voyage from the far-flung regions of barbarians, by way of several countries even more primitive than their own, in the Americas and in Asia. Naturally, we are already well informed about all parts of Asia, thanks to our numerous voyages of discovery and trade, so we require no enlightenment from this English impertinence. Ha! In the year 1405,” he said, his voice rising, “during the Ming dynasty, Admiral Zheng He discovered America – seventy-five years before the Spaniards. And during his seven expeditions, he mapped the entire globe: the Mediterranean, Africa, the Americas, and even Australia.” He looked again at Sun Pu-erh, who bowed her head.

    “I have seen it in an archive in the Pavilion of Literary Profundity,” she said.

    “We have had little need since those times for forays abroad. Our Celestial Empire possesses all things in prolific abundance and lacks no product within its own borders. Make a special note, underlined,” he commanded the scribes.

    “Since the barbarians have developed some abilities in seamanship, they now scramble to us,” he continued. “We remain loath to admit them – all the more, given the skirmish playing out somewhere over there in those parts, some minor uprising …” He looked at Pu-erh, who bowed her head.

    “The French Revolution,” she said. “King Louis XVI, Marie Antoinette beheaded, and so on.”

    “Correct, what they call the French Revolution. Well, we don’t want that sort of nuisance over here, do we?” He looked at Pu-erh, who lowered her gaze and said nothing.

    “At any rate, the weather has become unseasonably warm in the capital, and we have decided to repair to our summer palace and mountain resort in Jehol. You two will meet the ambassador, one Lord George Macartney, en route to Peking, and advise him of our change in plans. His entourage will rest for three days before proceeding north for an audience with us. Pay close attention to any equipment or paraphernalia he must leave behind during his sojourn. He intends to amaze us with certain marvels of English invention. Though we anticipate little worthy of attention, we wish to see recorded, in fine detail, the technical principles of any scientific apparatus – particularly weapons or devices of use in the art of war – that they intend to demonstrate.

    The couple travelled by palanquin with a modest retinue. They found the envoy, news of whose approach had long preceded it, at the town of Tongzhou, a canal terminus.

    Traditional-style watercolor painting of Chinese river junks with sails lowered, depicted on a calm, shallow river. Illustrates the halted imperial convoy near Tongzhou in the Jade Volume.

    The thirty-seven imperial junks that had carried it thus far along the shallow White River could go no further, although the military escort would continue. Armed with bows, swords, and rusty-looking matchlocks, the troops marched in single file, beneath standards made of green silk with red borders and enriched with golden characters. Long braids, tied at the end with a ribbon, hung down their backs from beneath their shallow straw hats.

    A wonderful rigmarole attended the transfer of Lord Macartney’s cargo to a convoy of carts, wooden wheelbarrows, and coolies – those labourers pressed into toil for wages scarcely worthy of the name – for the next leg of the trip to Peking. The spectacle inspired in many of them the words from ancient songs, to which they lent their voices while they toiled:

    Do not work on the great chariot –You will only get dust in your mouth.
    I sing of those who are far away,
    And sorrow clings like a cloak.

    The great chariot groans with its load –
    And saps the strength from my bones.
    I think of those who are gone,
    and my heart is cut open again.

    The great chariot creaks at the axle –
    It cannot bear the weight.
    I remember those who fell blinded by the dust,
    On the side of this distant road
    .

    Some of the labourers were given a taste of the whip by their military guards, who perceived seditious intent in the stanzas.

    Thus concludes the scroll of the Jade Volume. The continuation has – most vexingly – been mislaid in a dark corner by one of those accursed archival monkeys, necessitating a brief but unavoidable interruption in our unfolding.


    Michael Guest © 2025

    Images generated by AI