Tag: Hungry ghosts

  • Acacia and Ash

    Acacia and Ash

    He had been instructing Lena in the secret arts since she was scarcely past the crib. Even then her talent was unmistakable, revealing itself in the look in her eyes, the elasticity of her tiny muscles, the spring in her limbs. How piercingly and wisely she looked at him – and into him! She was an infant when he found her one morning lying in a puddle of tap-water on the floor, his scented pine-soot inkstick ground to smithereens on the purple-red volcanic inkstone, his brushes in disarray but for the one grasped in her fist, with which she was bespattering and daubing all over the floorboards and her own self with energetic expressions of pretemporal flux, the originary Nameless, the mother of all things. Amid her chaos, an image of an embryo? Or was it merely a shape expressed from the dark recesses of his own psyche, imposed upon meaningless blotches and smears?

    A delicate watercolor of a small East Asian girl seated cross-legged on the floor, her head bowed in quiet concentration as she paints or embroiders with ink on stretched fabric. The style is loose and flowing, evoking traditional brush painting, with soft washes of colour fading into the paper.

    The prodigious air of equanimity he observed in her at that instant persuaded him the former was true: the form was no accident, but an intentional representation; and this was borne out over time, for as he introduced her to the time-proven techniques and subtleties of the calligraphic art, she would occasionally reproduce similar but evolved versions of the same motif, one after the next.

    Over the years, the outline became stylised and filled with scenes, blurry at first, then increasingly detailed, as though brought into focus by a kinesigraph, an invention he’d read about in the newspaper, said to have recorded the growth of a universal embryo. As Lao-Tzu’s disciple Zhuangzi wrote: “So all creatures come out of the mysterious workings and go back into them again.” Close by the pair of boulders that marked the feet, two human figures walked side by side upon a waterwheel, driving a stream to flow upward, delineating the spine, which culminated at its point of entry into the skull. Beneath the jagged boulders representing the cranium sat an adult figure, cross-legged.

    “Who are these children?” Mow Fung asked one day.

    “This one is called Yin,” she said, tracing the outline of the girl, “and the other one Yang. Surely you should know that, since you already told me all about Yin and Yang so many times. Aren’t they really, really strong? And they work so hard to create the energy for all of nature, and for human life too. This stream flows east, all the way up to the top of the Southern Mountains, these huge rocks.”

    “And this man sitting on the mountain – is it me?”

    She emitted a sweet, bubbling peal of laughter.

    “Oh no, goodness gracious, that could never be you, although you are very old, like that man; and he sits there doing nothing but contemplating nothing and pondering on things that can’t be named, just like you. Tee-hee!

    “Do you know? this man’s mother conceived him when she saw a falling star, and then she carried him in her belly for sixty-two years and he was born when she leaned against a plum tree to catch her breath. Poor woman! But lucky for him, because the plum is an auspicious tree.

    “A great crack of thunder erupted, and fairies danced on rainbows high up in the sky. He already had grey hair and a beard and long earlobes like a little old man, and he could already walk and talk straight away.

    “That’s why he was called Lao-Tzu, which is a way of saying ‘venerable teacher,’ because ‘Lao’ means ‘old’ and ‘Tzu’ ‘master.’ I think I would have had a heart attack if I’d been poor old Mrs Lao, his mama.

    “Truth to tell, with all these wild tales about him, I sometimes wonder whether he existed at all, at least as one real man in history. Maybe he was many.

    “Some people think he came down from heaven many times to help humans along the path, and even taught Confucius and Buddha. But perhaps what we think of as the scribblings of one person are the work of several, collected together over centuries. Anyway, my picture is all about making the gold elixir, and becoming an immortal like Lao-Tzu, poor old Mr Rabbit Ears.”

    Despite, or perhaps because of, her precocious cleverness, she was becoming rather hard to bear. Not so much so for her parents, who had an inkling of the forces that drove her. Not only had her father cultivated these gifts in her, which were now developing in strange and unforeseen ways, but she was, in some sense, an extension of his own past.

    No, he had no-one but himself to blame: his own youthful conceit having left him exquisitely vulnerable to a joke of cosmic proportions, the cosmos apparently having a nose for hubris in those whose gifts were squandered early, especially the inwardly illumined lured by aberrant indulgences, the pleasures of opium smoke among them. Our man had broken a habit to which he succumbed years ago when he fled to Canton, after the tragic deaths of his mother and friends, the three Bandit-Monks as they became known after their years of devotion and training, and their innumerable acts of generosity and self-sacrifice on behalf of the mountain folk. At one time he numbered among the fifty per-cent of Chinese immigrants in Ballarat who were slaves of the poppy, a statistic assiduously reported by government investigators.

    • • •

    Forward then, into the Underworld, though barely a word forward in a place like this. At any rate, for the sake of argument, best accept the proposition that they proceed, the living and dead, or, depending on an unforeseeable outcome, the earlier and later dead; the guide and follower, though who is which has fallen into doubt.

    There had been a lantern, a delicious trembling thing, whose light had coiled around him lovingly, as if loath to depart; but he discarded it after it extinguished in a gust. No, wrong. Impossible: gusts in the abysmal vacuum of this intermediary hell! And yet a stench manages to surface. When, from time to time, the two regain an animal characteristic or other, they are able, after a fashion, to gasp or puke.

    The idea of light remains, however, to which they cling, though no sun to adorn the infinitely high and starless ceiling of opaque black. A light of sorts emanates from the earth itself, all about, dull and nausea-green. It is said that this place is nowhere and everywhere, a place where, when the maximum is attained, the opposite is inevitable.

    The Sightseeing phase. Here we have the famous Gate of Sighs, unmarked and nondescript, but unmistakable, worn smooth as glass where heads beyond eternal count have bowed low to the stone. Inevitable psychopomp Horse-Face stands to the left, Ox-Head the right. (Or was it Kangaroo and Emu?) One looked on, while the other counted on his fingers, saying nothing, while their minions dragged the two through the dirt, red when it would appear in spasmodic flashes of gaslight.

    Clerks of merit and sin pore over their ledgers, spectral bureaucrats assisted by their ink ghosts. They afford few words and barely a glance at the souls. Their avatars would abound in the Colony, haunting the public, despised but obeyed: turnkeys, forever-echoes from the prison cell.

    An abysmal semi-skeletal thing in a frayed robe peers more closely at the once-guide. “Still warm,” it mutters, “but the paperwork is complete. All in order. We don’t make mistakes in here” – prompting its indescribably ghastly and abominable colleague to cast it a long blank look, before turning again to its own ledger.

    The plain widens, if such a thing were possible in this deathly nowhere, giving way to produce the sensation of a soft tearing into black salient. Surely we are not inside a body… The guide sinks to his knees (ha!), and the larger, redder one, once a cadaver, clasps his living companion’s shoulder and emits an utterance for comfort.

    “Take heart. This is meant to be,” he says, surprisingly without any trace of surprise that he has acquired a mouth, and that words come out of it, the inanity of which strikes him the moment he expresses them.

    But the once-shaman replies with a desolate moan, for all this not a whit what was intended by him. Pity the hunching, the spasms, as if some mute refusal were lodged at the back of his skull. Voices of the dead are carried in the Whispering Wind: dear companions from the past beseech him to leave the path and rejoin them. And what is this abomination? The innocent voice of his daughter among them, who should not be here by any means! He goes to rise, but sinks again when the voice folds back into the many others, that murmuring desolate weft.

    Then this way, onto a plain of hungry ghosts, detritis of failed judgements, souls that neither reincarnate nor dissolve. Disgusting creatures with distended bellies, leech-like necks, and mouths tiny as the eyes of needles, testament to their forever insatiable desires.

    At last, he regains the “power” of speech:

    “Not this. This is not the shape, nor the measure, nor the place. I am not the one. Stop when it is time to stop. Well, stop!” It is barely a whisper suffused in a sob. “I am not dead!”

    “No need to be upset,” the bigger, red one comforts him.

    • • •

    Spurred by the censorious tongue of her school mistress, Miss Pritchard-Jones, in her mid-forties, formerly a Willoughton, Lincolnshire girl known simply as Ruby Jones, some of the locals were starting to turn stony-faced at Lena’s approach, save for the subtle arch of an eyebrow, passed from one to another in discreet recognition. The covert signal was spreading steadily through the European populace of Deep Lead. Miss Pritchard-Jones had paid a Sunday visit to the Junction Hotel with one of Lena’s alchemical paintings under her arm, which happened to depict Yin and Yang in their respective guises of tiger and dragon, in the celestial act of conjoining that occurs at midnight in the alchemical process, when the elixir circulates nine times and returns to the immortal origin. Yes, there above the two fiery figures, the Sword of Wisdom and a once ferocious Monster of Illusion now immobilised with its limbs bound could be distinguished hanging in the stars. Where else could she have obtained such knowledge and imagery? – apart from Time’s Heavenly Sanctuary an Infinity above the Jagged Rocks, to whose archives he himself had long since given up hope of gaining admittance.

    “There is something not quite right with the child. She performs dismally on her school tests, though she appears to possess intelligence. Doubtless, she has the ability to ‘go places.’ Many girls of her ability become perfectly capable wives, maids, hairdressers, shop-girls,” the teacher explained after they sat down to a cup of tea. She then hurriedly concealed the painting in her soft leather satchel, before beginning to outline her solution to the problem she believed was vividly immanent in the incendiary artifact.

    “Mental and moral discipline are indispensable in the education of a child, else she be led to stray from a productive and righteous path into pitfalls of crime and vagrancy,” she elaborated. “I concede that you in your position, who come from a primitive land and are constrained to a humble, not to say precarious, station in life, in a country that is not always hospitable to orientals and natives, are unable to grasp fully the importance of a wholesome family background to the upbringing and development of a child of Lena’s age, and indeed her siblings …”

    The child’s parents looked at her in silence, their eyes stripping back the powdered mask and genteel veils to glimpse the workings beneath – subtle mechanisms, hardened circuits, a cogged and coded puppet, sealed within a larger apparatus of manners and decorum. Her cavernous mouth moved with a life of its own, and her massive, powdered and rouged face inflated to fill the room. Their existences shrank to an invisible plane, and they levitated up to a spot in a shaded corner to observe, alighting like the butterfly in Zhuangzi’s dream. From here, the onslaught softened to the echo of a gale howling in the distance, though her words remained clearly discernible.

    “I will put it plainly. Her brain is wrong, her mind astray,” and she proceeded to enumerate several further instances of warped expression that, in her view, had led to the present pass. She paused to take in their reaction but they gave her none. “My concern is that unless steps are taken she will continue to deteriorate – and not only in her schoolwork. By education, we practitioners mean not merely lessons, but all that may be educed – brought out – from the child: intellectually, yes, but morally as well. To begin at the true foundation, one must attend first to the parents. For are we not told, on the highest authority, that the sins of the fathers shall be visited upon the children unto the third and fourth generation? The baser thoughts, emotions, and impulses of the parents find harmful expression in their descendants. It behooves parents to reflect upon their sacred responsibilities.”

    They were more primitive than she had feared. “To quote from Archdeacon Julius’s recent sermon in Ballarat, which I had the honour to attend in person,” she said deliberately, taking out a newspaper cutting from her satchel and laying it down with ceremonial care, “the Lord says expressly that young children are like as arrows in the hands of a giant. From this we may draw the inference, as the Archdeacon explains, that each human life is fired out into the world like an arrow, and just like an arrow, not to miss its mark – by ‘missing its mark’ of course, he refers to sinning – it needs to be keenly pointed, which is to say, trained and sharpened by education. Furthermore, just as an arrow has three feathers, the three stabilising forces for a young life need to be: knowledge, love, and work. And so on and so forth. I would like Lena to take this and read it closely and explain it to you both thoroughly, so that all of you can understand. And I have a proposal …”

    A faint breath, a stirring as if by the wing of a moth, made Mow Fung aware that his eldest had joined them up at the cornice.

    “Yes, bring it in,” he transmitted and lowered his full awareness back into his corporeal body.

    “It is a well-known fact that poorer parents tend to coddle their children more than the richer, and the children tyrannize them in return.”

    “Something in what you say there,” Anna said with a smile.

    The door squeaked open and Lena entered with schoolroom poise, carrying her current work of art: black crayon on a sheet of wrapping paper. A figure seated cross-legged, spine straight, balancing the sun on one palm, the moon on the other. Within his belly, a stove glowed, its tiny flame drawn with a child’s fierce precision. The girl set the picture on the table without a word and assumed a still posture.

    Watercolor portrait of a middle-aged woman with hair pulled back and a stern expression softened by a slight smile. Her eyes remain cool, suggesting restraint. She wears a dark high-collared dress, and the painting’s style is muted, realistic, and softly textured.

    Miss Pritchard-Jones’s smile did not quite reach her eyes.

    “And what do we have here, dear?” she asked sweetly, leaning forward to squint at the drawing, as though it almost certainly contained something improper.

    “Is this meant to be… a magician of some sort?” the schoolmistress tried again, tracing the black line that circled the figure’s stomach. “Or perhaps… a new kind of stove?”

    “It’s just a man,” Lena said.

    “He seems to have swallowed a brazier,” said Miss Pritchard-Jones, letting out a snort of mirth – which, after a glance at the girl’s father, anticipating that he would share her amusement, she immediately stifled.

    Mow Fung looked at the drawing for a long moment, then at Lena. The silence stretched.

    “Why do you think his eyes are crossed, Miss Pritchard-Jones?” Mow Fung asked.

    “Goodness gracious, there is no why or wherefore about it. All nonsense.”

    “Lena?”

    “His eyes revolve like the planets in the solar system, Miss Pritchard-Jones. He squints and then rolls his eyes from left to right and back again to raise and lower his inner fire. From left to the top of his head, then down to the right to look inside his navel. He rolls his eyes around the sun thirty-six times to raise the positive fire. Twenty-four times around the moon to lower the negative fire.”

    “Incorrigible,” the teacher said.

    “Yet, you must admit it means something to her, and you see how she has learned your schoolbook science.” Then turning to his daughter, “Miss Pritchard-Jones has a proposal for you, so pay attention.”

    “I shall listen and obey, Father.”

    The woman struck a declamatory attitude.

    “It is true, parental responsibility involves the proper training of each child by its parents, but this is the ideal not always reached. Unfortunately, we do not have sufficient resources at the Deep Lead school to provide the religious instruction so sorely needed in a case such as this. However, as a Teaching Elder of St. Matthew’s in Stawell, I have taken it among my broader civil responsibilities to provide extra-curricular religious training and discipline to a small group of lucky young people deemed most in need of healing, in what I make bold to refer to as sessions of spiritual therapy. Spiritual wellbeing is as important to a child as their physical wellbeing and should never be neglected, lest the child herself be considered neglected.”

    Lena made her opinion clear immediately upon Miss Pritchard-Jones’s departure.

    “If she thinks I’m going to traipse all the way over to Stawell every Sunday to listen to more of her tripe, she’s got another damn thing coming.”

    “You should think about making an effort to fit in,” her mother ventured. “When turtles hide in the mud they remain safe and cannot be harmed. When they come out, people catch them. Same with fish. When they stay down deep, nothing can hurt them; but when they surface, the birds catch and eat them.”

    “Yes, best be like the turtle in the mud, the fish in the deep,” her father agreed, “Who knows? – there may be things worth learning in this spiritual therapy business.”

    “Don’t worry,” Lena said, “I’ll take care of it.”

    The next evening, there was no one around to notice the slender shadow flit through the laneway that ran alongside the teacher’s residence nearby the Deep Lead school, nor the flash of a match igniting a rectangular slip of paper, which burned for a few seconds to ash. The ‘Five Ghosts’ talisman works to traumatic effect when exercised against susceptible victims of a sensitive disposition, but Miss Pritchard-Jones was not such a person. Moreover, the artificer of the talisman, though youthful, was a compassionate girl, and inscribed it with characters that summoned less insidious spectres. No terrifying flying-head ghosts, faceless ghosts without feet, or baleful hungry ghosts from hell. Instead of these, naughty, playful sprites, who on the completion of each childish prank would depart back into the spirit realm to the tone of a chime, leaving no more than that playful and well-intentioned vibration. Just the type of spiritual therapy that might do her teacher good. Little harm likely ensues when a goldfish goes missing from out of its bowl but reappears a day later unassisted, looking as though nothing has happened; and the same is true of a budgerigar from its cage. Then a pet rabbit absconds leaving its cage door wired shut behind it, lagomorphous version of the Davenport Brothers, the famous mystical escapologists. It fails to return; but perhaps this is far less than a miracle, given the hatred for its species throughout the Wimmera at that time.

    Resting on her beloved rattan chaise longue on the veranda, Miss Pritchard-Jones looked up when the Fung child appeared, cradling the pet rabbit she had found hopping aimlessly on the roadside. The girl gently placed it in her hands. There was enough empathy in Lena’s eyes to still the suspicion, barely forming, that she might somehow have been responsible for the escapade – which indeed, she was not, at least in a certain direct sense of the word. The teacher smiled and patted the girl’s hand; her need of spiritual therapy was never again mentioned, and the tinkle of the teacher’s little Aeolian chime was from that time only ever heard when a gentle breeze, at least, would stir. A past offering from an anonymous pupil, the Japanese curio could be obtained at Kwong Hing’s shop in the Chinese camp.

    • • •

    A flat place. No texture or edge. Suggestion of enclosure without form. Inner perimeter, no wall. The air is not air as such. Breathing is not a prerequisite. And yet there is a pressure from above, faint but definite, of eternal waiting.

    A pale thing leans. A figure, perhaps, or a coagulation of posture. It inclines forward from among a stand of not-columns. Not arranged, not formed, neither standing nor collapsed. The pale thing has no face, or a great many, vaguely superimposed. It carries the smell of ancient, unwashed robes, and the fungal tang of mouldering rice-paper: suggestive of a monolithic bureaucrat obsessed with the accounting of infinitesimal infractions.

    It speaks: “Proceed.”

    Silence. Then again: “No. Abide.”

    The Celestial lowers his head even lower. The other stiffens. Progress may no longer be an option for him.

    “There is a discrepancy,” the thing says. “Designation uncertain. Misprocessed? Unprocessed?”

    It shuffles what appears to be a sheaf, but the papers are not quite flat, and not quite still. One separates, drifts, curls at the edge before floating down to a non-floor, sizzling to ash.

    “State your designation.”

    No answer.

    “He is not dead,” explains once-Forbes.

    The thing tilts. Abides. Tilts again, as if abiding might yield reply.

    “He is here. There is no procedure for reversal.”

    Mow Fung emits a sob.

    Nothing changes.

    Then: “Though I suppose even that may be subject to review these days, the way things are going. We will open the Register of Residual Appearances (Beings Undead or Vanished.)”

    It does nothing.

    “Ah. Yes. An echo. The shadow of an intention. The residue of action restrained. A karmic hesitancy.”

    It does not look up.

    “He may proceed.”

    Then, as if mumbling to itself. “Unless the next phase has been canceled… We received a memorandum but the seals were indistinct. The authority unclear. Proceed. If that is the word.”

    Not a soul stirs.

    • • •

    One day, she looked up from a swing he had hung for her years before, from the low branch of the blue gum behind the backyard, studied his face seriously and said: “Father, I am ready.”

    “For what?”

    “I don’t know yet exactly for what.”

    “Well, I shall have to save to buy you a violin or something.”

    She looked at him with a long-suffering expression, but did not answer.

    “The Maiden spoke to me when I was watering her. She gave me quite a shock, but I heard her voice distinctly.” The Maiden was the title they gave the stateliest maiden wattle in the acacia grove. Acacia maidenii was the plant’s Latin name, she informed him.

    A close-up watercolor of a young East Asian girl seen through a foreground of soft golden wattle (acacia) blossoms. Her face is partially obscured by the foliage as she looks directly toward the viewer, her expression thoughtful and serene. The style is fluid, with abstracted edges and gentle hues.

    “Oh?” The plants had never spoken to him, though he paid respects, and certainly watered them more dutifully than his number one daughter.

    “What did she say?”

    “She said there was something I must do.

    “Oh?”

    “She said there were some things you have to do before she’ll be able to speak to you directly – some procedures – and then you will be able to tell me what she said. I understand much from her, but there are other things I need you to explain.”

    “What are these procedures?”

    “First, you should get a pencil and paper. Have you been squinting properly?”

    He found the stub of a pencil and an old envelope in a shut-off area of the bar he called his office. She related to him the means of extracting potions from the maiden wattle, which would show him a new, deeper path than the one from which he strayed, even before leaving China. “This is the best way to use the bark and roots here,” she said, and summarised the procedures for him, drafting some diagrams in her precise hand and noting down Chinese names for some substances that she could not possibly have learned except from an adept in alchemy or sorcery.

    He explained about the tree spirits and malevolent wandering ghosts. Some plants and trees develop a natural spirit of their own – a spirit-being inhabiting the stem or trunk, like a tree fairy. These are far more powerful than common ghosts and spirits, though usually benevolent. Sometimes, however, a wandering ghost may take possession of a tree and impersonate a natural spirit. These are dangerous. Homeless ghosts that settle in innocent trees can harm human beings, and people must be wary of them.

    “I understand all this,” she said. “The Maiden explained to me I was a wise and ancient being.”

    “I thought I told you that.”

    “Not in so many words.”

    “Oh.”

    “Now, try to listen and not be dense.”

    He gave her a paternal look, an eyebrow raised.

    “The Maiden told me to say that,” she said with a look of surprise.

    “That’s all right,” he said. “I suppose I’ll have to learn when it’s you being cheeky yourself.”

    “Now come with me to the acacias.” And he went with her to his special garden.

    “Your arts are a little outdated,” Lena said. “She says that her cousin acacia pycnantha is so popular and beautiful that she will likely become the flower symbol of this whole country. She has such magnificent golden blooms, and we love her wattle-seed cakes and biscuits. The Aborigines, she says, use her wood to make spears and boomerangs, and put her leaves and bark in the billabong to make the fish go sleepy, so they can catch them easy. They use her smoke as a medicine, too, for things like diarrhoea and inflamed skin.”

    “Oh yes, of course, of course.”

    “Please stop looking at me superciliously. She isn’t fond of sarcasm, in fact she loathes it.”

    “She told you that?”

    “Nor fond of the faintly ironical tone you affect at times, she said just now.”

    “Oh.”

    “She knows a lot about you. She knows about the Jade Volume in the sanctuary above the jagged rocks, and about your friend in China the mighty general Senggelinqin, and the story about your mother and the bandits, and the opium, and how you came to Australia, and tramped all the way from Robe to Ararat, before coming to Stawell and Deep Lead. She knows a great deal.”

    “I think I told you those stories myself.”

    “She showed me inside my mind, I think, or in a dream, in moving pictures. It was like I was there, sort of thing.”


    © Michael Guest 2025

  • 4. Death Rites (from the draft novel Stawell Bardo)

    4. Death Rites (from the draft novel Stawell Bardo)

    Death Rites

    I am not the least bit afraid of you hungry ghosts, Mow Fung says silently. Not because he doubts your existence, but because he has lived too long to deny it. Still, he will not let you see his fear. A part of him is always apprehensive, and it would be foolish not to be.

    In the centre of the back room, the headless body is suspended in light as though in thin air. In the middle of all things, since everything else floats around it, cast into the eternal dimensions. He contemplates the multidimensionality of this container, of the person who once inhabited it, now perhaps having almost arrived at the infinite end of the loop, the point of closure – and escape – of a human entity.

    Mow Fung sits on a wooden stool, and images of the ancestors appear to his mind’s eye. Not a grandiose company by worldly standards, not a lineage of Mandarins thirty generations deep. No, some were threadbare hermits, others alchemists in the courts of emperors. Many kept faith with the Tao; others faltered along the way, as he has. Yet all are recorded, nonetheless, in the long cosmic family archive, robed in deep blue, crimson, and jade, and encircled by golden dragons, as befits their rank in the Immortal Registers.

    The body is laid out on its back before him, upon a makeshift slab of two small tables joined and draped with a blanket. Only the remains are visible, in a sphere of candlelight. A single flame burns steadily, flickering now and again from some subtle cause, some nearby disturbance. Similarly, the ribbon of smoke from the cheap incense burner placed by the dead man’s shoulder curls and falters, though not a breath of air stirs. Spirits? A lost soul? This man died a brutal death, of a kind that lingers, and draws misery in its wake. The kind of death that attracts attention from dangerous quarters. Yet rites must still be done – from human kindness, and something higher than that. There are dangers, and it has been a long time. But the dead deserve their due.

    He sprinkles more incense onto the embers in the burner: dragon’s blood resin, frankincense, myrrh, and sea salt – the mixture taught to him long ago. The smoke rises in slow spirals, vanishing into the rafters. A garden lizard clings to the wall above the window, still as an ancient glyph.

    Mow Fung settles into meditation, imprinting the vision of the corpse onto his psyche. Ghosts may bother him tonight. But he will sit, focus his mind, and dream a little.

    For the time being, sit here and meditate on this strange and radiant being.

    Hungry ghosts may try to devour or deceive the spirit who recently inhabited this shell, may try to beguile him into straying from the true path. So Mow Fung will remain. Perhaps he may be of help to the passing spirit, which surely lingers still.

    But I am not afraid of you ghosts and phantoms and all the rest of you, though you may manifest yourselves in the hollows of my psyche and the ancient gateways at the base of my spine.

    He will lend the strength of his will and the benevolence of his heart.

    Why radiant? What may it be that it radiates? Luminous only in his own mind’s eye? He lets the thought drift past. Inwardly he perceives it again, a pale gleam, the colour of the Golden Pill and Golden Elixir of immortality, the vapour of the Tao inside the body, giving rise to the three flowers that gather at the top of the head. In the eye of ritual he was still recently dead, the spirit hovering close. But the husk declared otherwise, bearing the marks of the sun and the slow desiccation of time.

    The skin is dried and darkened to a leathery orange-brown hue, like the crust of old lacquer or parchment scorched by the sun, as though an ancient inscription had blistered and peeled from the body. He lay outdoors under the summer sun for a month to become mummified like this. Mow Fung sniffs the air. Little smell, because the flesh has dried; only a faint foulness lingers. Something has taken the generative parts. By tooth, by hand, by force of hunger or madness, there is no saying. A void where the gate of life once stood, robbed of return. The generative parts: root of essence, seed of Jing. The gate of life torn away.Without the root, the essence scatters. Jing lost, Shen adrift. A cosmological wound, rending the dead man’s passage and the karma of the living he leaves behind. Even ghosts may not find their way back to where they belong.

    Around the throat, where once rough red bristles clung, now sun-softened, the remnants of a full beard spread in a matted trail down the chest. Hair grows no further after death; this is his last signature, fading. He leans closer. At the neck: clean, decisive cuts, consistent with a heavy axe. Not just to kill (the killing blow struck the now missing head, no doubt) but to erase. To unname.

    Mow Fung stands and moves slowly around the body, passing his hands above it, sensing more than examining as such. The limbs are intact, no bones broken. The calves and thighs hollowed. Scavenged, gnawed out. In the chest, dried flecks of blood cling like pigment; where faint scratches or fragments remain embedded in the skin, their pattern uncertain, whether accidental or intentional. The ribs are bared in patches, the abdomen leached of flesh.

    There were dried-out bodies fallen by the wayside on the hot trek from the South Australian coast to the Victorian goldfields. His countrymen, whom he and his comrades would bury with some rites to speed them along their way to the afterlife.

    He had seen worse.

    One day, long ago in Canton, his feet took him along a meandering route through the city and into an alleyway, where Manchu soldiers were in the process of butchering a throng of hapless supporters of the Taiping Heavenly Kingdom of Great Peace. Already the place stank of the blood of hundreds, so many that their heads would not all fit into the chests that were to be sent to the governor general. So many heads that, after a while, many were emptied out of the chests and only the ears packed.

    One instant strikes him from the past, clear and lucid as starlight. Two Manchu soldiers bound one of the captives hand and foot and clubbed him so that he fell to his knees. One soldier grabbed hold of the pigtail and the other prepared to chop off his head. Unlike his terrified comrades, the doomed man maintained a calm demeanor. Seconds before the sword fell, he selected Mow Fung from the group of peasants, among whom he had concealed himself, and fixed him in an unearthly, unwavering gaze. It was clear to Mow Fung even then: he had been led to that place to witness this specific moment of death, for his own benefit. Such a pure death signified an enlightened life.

    Huish-Huish enters carrying a tray with tea and fruit, as though for a guest. Mow Fung sits, eyes closed, head bowed, his back showing the weight of his years. He remains absorbed in contemplation. Motionless, like a mountain, the mind rests in its place.

    “This man is calling out for help,” he says calmly, his eyes still closed. “He is stuck here in the world of the living, still clinging to his physical vessel. But there is something else, something malevolent, reaching from the far past, and out into the future, through this room, at this hour, sucking in all of us. Traces linger here, signs I was meant to see. But to read them, I must first root them in existence. And to do that, I must turn inward, though I have strayed from the path before.”

    He makes the arcane hand seal of the Patriarch of Ten Thousand Arts, upon whose benevolence his fate will depend. He doesn’t mind that Huish-Huish sees the forbidden sign.

    “Do you mean, similar omens to the ones that came to you in Canton in those lost days, those woeful days far behind you now? Do you happen to recall the ravages of the poppy?”

    “Perhaps. There were pleasant times too, you know. Neither matters anymore. But someone has arrived in our hotel needing shelter and a guide. How can we refuse him?”

    “Neither matters, according to your beliefs, so do what you feel you must,” she says. “I suppose you will anyway.”

    She smiles faintly, turns, and starts to leave the room. Then she looks back.

    “Of course,” she says, “you told me you’d fled those times forever. But you know you cannot fly from the path, since the further you fly, the closer you remain.”

    “Poppycock.”

    Suddenly the incense splutters and the fragrant smoke erupts.

    “There are some bad ghosts here now,” he says. “You had better go.” Not entirely sure they are here yet, but she is annoying him with her womanly contrariness, her profound oppositeness.

    “Well, don’t worry them,” Huish-Huish says, turning again to go. She is less afraid of ghosts than he, having had less experience. “Don’t surprise them. Don’t scare them too much.”

    But there is no surprising some of them, those whom he senses looking on from far in the future, where they have access from their lairs in eternity. Will he have descendants way down the track to help him out if needs be? To combat those vultures who lie in wait to tear out his soul?

    He recreates a temporary altar from mystical objects encountered and secreted here and there. With the Sword-Fingers Hand Seal of the right hand, he traces the character Chi or Imperial Order in the air, thereby infusing himself with celestial fire. Appealing to the Patriarch, the deity Wan Fa Zu Shi, he prepares for the journey: painting talismans on his clothes and body for protection, setting upon the altar a peach-wood sword inscribed with celestial characters, and spirit-money, paper painted with black and silver symbols, for burning. How else shall the poor fellow pay his way in the underworld?

    To locate the lost soul, he inflates a consecrated paper lantern with heated air from the candle and releases it through the window, so that it drifts away into the dark. He makes the Five Thunders gesture to resist the threat he smells, from a foul presence, faint but rising. For the rest of the night, he casts spells using the symbols and talismans he has kept hidden away since … he almost forgets when. He sprinkles incense prepared from golden wattle: its essence extracted, purified, concentrated.

    He had made the incense himself, as always. The ingredients were chosen for their essences – dragon’s blood, frankincense, powdered bark of the Raspberry Jam Wattle, fragrant and subtly luminous, said to open the inner senses – dried, ground, and purified over slow charcoal in a clay cauldron, with breath and invocation. He had traced the talismanic characters in the air above the bowl: Qi, An, Ling. Then exhaled gently three times to bind them with his own spirit. The resulting powder, dark and fine, was wrapped in yellow silk and set aside to cure in the hush of moonlight. A humble alchemy, but his own.

    The ancients taught that to arrive at one’s essence, both substance and self must pass through furnace and cauldron — sacred tools of Taoist transformation, forged in both body and mind. Vessels to burn away acquired dross and reveal the hidden nature beneath.

     The incantations first trickle into memory, then the flood begins and he sinks inward, drawn down toward the realm of death. Deeper and deeper.

    For some reason this beheaded man made his way here to the Junction Hotel and set Mow Fung’s psyche in turmoil. The story of Peng Yue has haunted him from childhood.

    Once a fisherman, Peng Yue became a great general and conquered twenty cities. But the treacherous Empress Lu Zhi betrayed him, and he was beheaded. She had his body minced and salted and fed to the aristocrats who supported him. “I grant you a rare treat …”

    Now Mow Fung gazes down from the ceiling upon the headless man on the table. Palms turned down, arms spread at a forty-five degree angle – appearing relaxed, paradoxically, in their state of rigor mortis – legs extended.

    He focuses on the trunk and the space where the head once was but is no longer – a void that seems to open outward into infinite time. Even the dead man’s arms express that thought somehow, in their pathetic, unconscious gesture of resignation. He passes through the clogged throat and into the cavern of the lungs; silent chambers sealed by death, yet faintly trembling with memory.

    In his meditations, in the stillness of his body, he casts his spells, intones his incantations. No one to hear now but the spirits and ghosts.

    Even if I try to move my hand, I cannot, because I feel the pressure of time forcing me back into the reality of this place into which I was born. It is as though an inch of space through which he might move his hand is the same as the whole extent of the universe. So he cannot even lift a finger.

    But he enters a trance and moves outward in his spirit body, so that he can follow the lantern, which will lead him to the boundary realm. A dry creek with scrub that Mow Fung does not recognise. The dead man’s ghost appears in the periphery of his vision.

    There is the head, but floating, attached by a long cord, moaning inconsolably.

    Mow Fung wills him to come along, and so they progress, side by side towards the boundary zone, inhabited by the shadow beings and spirit-shells who prey on the newly dead. The deceased has forty-nine days to get through here, lest he himself become one of the wandering dead, to prey on others.

    Along a shimmering trail in a space of blackness beneath two purple moons, they approach the local guardian spirit. Serpents writhe about the three of them in the red dust of the outer limits, while the dark-skinned entity regards the other two askance.

    “So you’re that poor fellow with a good mate,” the guardian says to the precarious soul. “I seen what happened, don’t worry. And you, who do you think you are, yella-fella?” looking at Mow Fung. Ink-black skin, white pigment daubed roughly on the face and in lines and patches across his naked body. His eyes strike the alert look of a kangaroo, nostrils flaring.

    “You dunno him, wadda you care what appens to im?”

    “I have come down here with this bloke,” Mow Fung says, “this white fella, because he came to my place, the Junction Hotel, Deep Lead, dead and beheaded.”

    “Irish or Scottish or something. Well, I don’t care who he is,” the local guardian says. “He is where he belongs, under the dirt here. But you, you don’t belong here. You a yella man, a Chinee. You alive still, you can’t fool me, you know!”

    He cackles as if finding the situation hilarious. The laughter of spirits is never glib; it is the echo of doors closing – or opening where they should not.

    The laugh ceases abruptly, and the guardian’s visage turns to stone.

    “You smoked that stuff, them poppies. We don’t want any of them poisons here, so you begone with you!”

    “He visited my hotel before we came down here. He may be a sign of worse to come.”

    “Good point, maybe. Ha ha! You been here before too, you Chinese man of the dead. We remember you, don’t worry. Only you and that other Chinee.” He raises his arm horizontally to the right and points, without looking. ”You go that way, east, and maybe you’ll find yourself in the west after all. Maybe in the Teahouse of Awakening, where you mobs sometimes meet – if ya lucky, if ya lucky!”

    “We don’t want to loiter around here too long, anyway,” Mow Fung says sideways to his companion.

    The red-bearded head was making its way back to its place by degrees onto the broad shoulders, condensing midway into the visual field. Disconcerting. Fortunately, Mow Fung had developed his ghost-seeing eyes years before and, invoking the Ghost Eye Hand Seal, was able to discern some dim contours through ripples in the ether. The spirit’s head had descended and he stood there mute, the head bowed, the red hair falling forward to cover the face.

    The two of them set off in the direction the guardian had pointed. Mow Fung looked back once and saw a rainbow fading against the black sky.

    There are colours that infuse the beginning of things.

    There echoed a beating of wings, vast and powerful, as if from a primeval bird.

    The entity was gone.

    “I don’t know much about these local ancestor beings,” Mow Fung said, “except they are powerful spirits from what they call their Dreamtime. He has allowed us right of way, so if things work out, we might be able to get you through the border zone, out to the other side.”

    They reached a fork in the track, marked by a ruined tree. “We’ll go this way.” Taking the path to the left.

    The left-hand way follows the yielding earth; the right-hand way, the open sky.

    They descended a ridge onto a plain of white ash, streaked with tar pits. Bodies writhed in the viscous black, their groans rising on the hot wind to greet the two arrivals.


    Michael Guest © 2025

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