Blog

  • A.C. Gunter’s Baron Montez of Panama and Paris

    Prepare to embark on an idiosyncratic taste thrill, another foray into the paradoxically expanding universe of vanishing literature. This bestselling author-playwright, said to have been better known in his day than his contemporary, Mark Twain (1835-1910), is now reduced to fragments, trivial contributions to popular culture: Played middle-man in the rise of the great American… Read more

  • Cobb’s False Knight: 18. A Revelation—Conclusion

    The term “shotgun wedding”, which most English speaking people are familiar with, loses all its descriptive impact in German. “Mussehe” doesn’t sound as dramatic at all. It means “have-to wedding”. The first word, muss, meaning “have to”, also means “mash” or “sauce”, although that word is pronounced with a soft “s”. It sounds a bit… Read more

  • Cobb’s False Knight: 17. Beginning of the End

    As the story hurtles towards what appears to be a bloody climax, our heroine and her mother, the baroness, seem like bait in a trap, a trap set to kill the only threat to Pascal Dunwolf’s dastardly plan to force Electra to marry him so he can inherit the castle. Luring the good guy into… Read more

  • Cobb’s False Knight: 16. An Adventure

    Odd, that the simple maid should cry “murder, murder!” Or is it? I mean, long before anyone had been done in yet—without giving too much away. Now, any simple English maid who happened to be skulking around in any old dark secret passage and suddenly feeling a hand against her and somebody whispering might have… Read more

  • Cobb’s False Knight: 15. The Midnight Mission

    Secret passages were one of my favourite elements in spooky old black and white movies. There was one in Ghost Breakers (dir. George Marshall) from1940, in which Paulette Goddard plays a particular combination of keys on the dusty old pipe organ of a very haunted castle in Cuba, and suddenly, in torchlight, a heavy stone… Read more